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February 27 2014

Reposted bythatsridicaruscellkrolikajlajTUVimartbylittlea

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February 14 2014


Proofing Tips for Print Design Perfection

Many of the articles on this site are aimed at the digital space, such as design for the web, mobile and apps. And let’s face it, most design in general is done in the digital space, much of it never makes it on to paper. But what about when you do want to take your designs from the virtual to the physical world – from digital to print?

It can take a lot of tinkering to get your print designs to look right. Though your designs may look great on the screen, that might not be the case once it has been printed. A thorough proofing process is essential for getting a print piece that looks just as you expect.

Misprinted work is costly. If it’s a problem with your file, you will likely have to fork over more money to fix it. If you can’t afford reprints, you may have to keep the incorrect piece or wait until you can afford to reprint. If it’s a client project, the mistake could put a dent in their plans, your bank account, and your business’s reputation.

A thorough proofing process can head off most print design issues. Though nothing is foolproof, keep the following points in mind with your next print project:

Words, Words, Words

Spellcheckers are unreliable. Read every word in the piece several times before sending it off for printing. Check your work, make corrections, recheck it, and then have someone else review it.

Words, Words, Words

When working really closely on a project, your brain can fill in letters and words where they don’t exist. Having another pair of eyes check it over can eliminate these mistakes.

By Accident or by Design

During the process of creation, sometimes something important can end up being left out. Some of the most common mistakes include inconsistency of fonts, colors, shadows and other minute details. If you made a big change in multiple areas, such as font or color, evaluate each element carefully to ensure that the change was made every place it needed to be changed.

By Accident or by Design

Additionally, if you’re creating something for a client, compare the design to the original specs to make sure you’ve included all of the necessary features.

True Colors Shining Through

Matching colors on the screen to colors on the paper can be difficult. From the design program, to the final digital file, to the print provider’s presses, each could affect the final results. Though many graphic designers and photographers like to work in RGB, digital printing is often carried via a CMYK process. Some printers will print from your RGB file. Otherwise, you can convert the design to CMYK yourself, though it may take some knowledge and adjusting to get the colors to look right.

True Colors Shining Through

How your monitor is calibrated may also affect how you see the colors on the screen, versus how it will look in print. One way to get an idea is to print a test image and compare it to what’s on your screen. You may find you need to make adjustments to your design’s colors.

Resolution, Baby!

For small print jobs like business cards, brochures or booklets, it’s recommended that images be saved at 300 DPI. There’s more flexibility for image resolution with large format jobs, such as banners and signs. For photographic images on canvas, 100 DPI is considered plenty. A good rule of thumb is to always save your design image files with the highest resolution possible. Though you can scale the image down if you must, it is impossible to add pixels after the fact.

Resolution, Baby!

Bleeds, Crops & Cuts – Oh My!

A bleed is part of the design that extends beyond the crop marks and is cut off in the finishing process. Crop marks indicate to the printer where to cut the design to get the size and shape you desire. Cutting tolerance is the small variations that occur when sheets are cut down to size by machine. Setting up your design file to suit your printer’s bleed, crop mark, and cutting tolerance requirements is essential to getting the final printed design you expect.

Bleed and crop mark expectations vary from project to project and printer to printer, but many small format jobs require 1/8″ bleeds, while many larger format pieces may need a 1/4″ or larger bleed. A high quality printer has a cutting tolerance that measures no greater than 1/16″.

Pick the Perfect Paper

How the colors look for the final printed piece will depend on the substrate you choose. Coated paper has a smooth, satin-like finish that is somewhat resistant to dirt and moisture. A coating will restrict how the paper absorbs ink, which helps to maintain clarity and is desirable for printing photographs and other sharp images.

Resolution, Baby!

Uncoated paper is generally not as smooth, with a slightly rough feel. It has a tendency to be absorbent, like a sponge, which can cause ink to spread on the paper and result in less crisp lines. Work with your printer to find the right substrate if you’re not sure which to use.

Fit to Print

Use your home or office printer to print it out with standard paper, cut it down, and fold it, if needed. This will give you a glimpse at how your printed project will look, giving you the chance to refine your design if needed. Once you’ve sent your design file to the printer, you will also get a digital proof to approve.

Fit to Print

Go ahead and print the digital proof, too. Although this in-house test print won’t necessarily show exactly what you can expect, it will give you a good idea. Evaluate your digital proof very carefully because this is often the last step before your order is printed.

Proof is in the Proof

Digital proofs are ideal due to the ability to create and send them quickly and cheaply, but there are times when it’s best to get a hard proof. If the substrate has distinctive properties, such as metallic paper or synthetic materials, or you’re trying a new printing technique such as white ink printing, request a hard proof to see the design on the medium.

You may also want a hard proof if you have precise brand colors to replicate. There is usually a cost to ordering a hard proof, but it’s a small price to pay to know what to expect when your order is delivered.


After stepping through this checklist and ensuring that the interested parties are happy with how the proofs look, the final step is approving the project for printing. You’ve made the effort on your part to make sure it goes off without a hitch; the rest is up to your printer. If you’ve done your homework to find a quality printer, you’ll know that when you receive the final product it will be exactly what you want. But that’s another checklist for another article on another day.

Image Source: Graphic Design Icon Set via Shutterstock.

The post Proofing Tips for Print Design Perfection appeared first on Speckyboy Design Magazine.



One for the extroverts among you this, Craig Redman and Karl Maier have collaborated with Aussie eyewear firm Le Specs on an exclusive new range due to hit the shops this month. The collection is called For Eyes, and there are 15 wild and wacky designs that are true to Craig & Karl‘s signature pop art style: bold, colourful, and with more than a hint of humour to them.

Le Specs was an iconic brand in 1980s Australia when Craig & Karl were growing up, and the company’s international relaunch in 2006 – using scores of the original ’80s molds – brought their classic Euro Chic designs to a wider audience. Since then Le Specs can boast a Who’s Who of famous wearers, especially among the music community, with Rihanna and Beyonce being long-standing fans. Le Specs isn’t standing still though, as this Craig & Karl collection proves, and innovation is still part of the plan. The full body lycra suits aren’t mandatory by the way; they are the work of glossy mag photographer Alex Sainsbury.


Craig & Karl for Le Specs
Craig & Karl for Le Specs
Craig & Karl for Le Specs
Craig & Karl for Le Specs

Photography, Alex Sainsbury

The post Visionaries appeared first on We Heart; Lifestyle & Design Magazine.

February 13 2014


Graphic design inspiration | #917

Our graphic design section is one of From up North’s more frequently updated categories and contains a nice mixture of design inspiration from various design fields.

Nadja Mara Brvar
Go to image pageNadja Mara Brvar

LIFT OFF by Joris Rigerl
Go to image pageLIFT OFF by Joris Rigerl

Go to image pageKomma

Bike Duluth Logo by Ken Zakovich
Go to image pageBike Duluth Logo by Ken Zakovich

Whistling Wolf by The Bearded
Go to image pageWhistling Wolf by The Bearded

Semi Permanent 10th Anniversary Book Cover by Luke Lucas
Go to image pageSemi Permanent 10th Anniversary Book Cover by Luke Lucas

American Estates by Jeremy Teff
Go to image pageAmerican Estates by Jeremy Teff

The Night Market
Go to image pageThe Night Market

Baker & More
Go to image pageBaker & More

Vintage Vegas Wedding Invitations
Go to image pageVintage Vegas Wedding Invitations
Submitted by Anthony Gregg.

Draw me close
Go to image pageDraw me close

Boiling Point Poster
Go to image pageBoiling Point Poster

Function Coffee Singnage by Salih Kucukaga
Go to image pageFunction Coffee Singnage by Salih Kucukaga

Upward & Onward
Go to image pageUpward & Onward

Monday by Mike Bruner
Go to image pageMonday by Mike Bruner

Mats Ottdal
Go to image pageMats Ottdal

Non Stop Magazine by Nastya Ginger
Go to image pageNon Stop Magazine by Nastya Ginger

Contrast Mag Cover by Matthew Tapia
Go to image pageContrast Mag Cover by Matthew Tapia

The Rainbow Book by Natacha Algani
Go to image pageThe Rainbow Book by Natacha Algani

Influencia no7 by Violaine & Jeremy
Go to image pageInfluencia no7 by Violaine & Jeremy

Mondayed In The Face by Nathan Yoder
Go to image pageMondayed In The Face by Nathan Yoder

XV Olympic Winter Games Opening Ceremony Booklet
Go to image pageXV Olympic Winter Games Opening Ceremony Booklet

Thunderbird Motor Lodge by Jonathan Schubert
Go to image pageThunderbird Motor Lodge by Jonathan Schubert

Mercy Ships
Go to image pageMercy Ships

House of Vans
Go to image pageHouse of Vans

If you would like to send us suggestions for these galleries, please click on the button “Submit” located in the header, and fill out the form. And don’t forget to subscribe to the RSS-feed and follow From up North on Twitter + Facebook to get all the latest updates.

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